Review: Ceres - We Are A Team (2019)

ORIGINALLY PUBLISHED BY BEAT MAGAZINE, MAY 2019

There was a point in time when Ceres frontman Tom Lanyon was ready to give up on music. The Melbourne band who have won the hearts of many music fans around the country had struck such a chord with the release of their sophomore album, Drag It Down on You, it would make sense that the momentum would spur its successor on.

This wasn’t the case.

However, through periods of reflection and eventual inspiration, Lanyon began to write, specifically the single ‘Viv in the Front Seat’, and from there We Are a Team was born. The album is one about relationships, love and confidence; a sense of optimism shining through the darkness stands out as Ceres enter a triumphant new phase.

I’m gonna get happy,” Lanyon sings on album opener ‘Marriage’. It’s a fitting gauntlet for the rest of the album to run as Ceres continue to operate at their heartstring-tugging best. ‘Me & You’ and ‘Something Good’ remain strong album highlights, yet We Are a Team is an album best digested whole. Longtime fans of the band will note the rich evolution of the Ceres sound here, while newcomers are being introduced to a band brought back from the brink and attacking their craft with renewed vigour and sincerity.



Review: Solange - A Seat At The Table (2016)

ORIGINALLY PUBLISHED BY THE AU REVIEW, OCTOBER 2016

Solange Knowles‘ A Seat At The Table may very well be the album that brings the artist to breakthrough-levels of success but for those who have been following her music for the last few years, this 21-track epic is the result of a creative talent that has been thriving and developing outside the mainstream for quite some time.

The album is an unapologetic yet gorgeous illustration of what it means to be black and the challenges that come with being of colour, especially a woman of colour, today. A Seat At The Table also serves as a tool to remind people, especially newcomers, that Solange is much more than ‘the younger Knowles sister’ and occupies her own creative space. The album is a strong and defining moment for the artist who undoubtedly stands as a figure of admiration and strength for many young women and girls of colour and while she may not be twirling baseball bats into the windows of cars, Solange’s messages on A Seat At The Table ring out just as loud.

She urges the listener to thrive and be comfortable in our own uniqueness, despite whatever imperfections we’re born with on album opener “Rise” – the music is soft, a sentiment that is evident throughout much of A Seat At The Table, but Solange’s smoky, almost wispy thread of an R&B vocal streams through and hypnotises. Her calm and warm vocals wrap you up – she’s not aggressive, but she’s defiant. It’s a type of R&B that we’ve seen Blood Orange execute nigh on flawlessly this year and quite frankly, I’m stoked that it’s happened again with this album.

“Cranes In The Sky” and “Don’t Touch My Hair”, the two album tracks that recently had their music videos released are two of the most powerful on A Seat At The Table. Featuring Sampha, “Don’t Touch My Hair” channels the frustration any woman of colour is likely to have felt at least once – issues of privacy and ownership have been rife within black culture for centuries and as both Solange and Sampha chant, “What you say to me?” gently, their  response is pretty damn loud. “Don’t touch what’s there / When it’s the feelings I wear”, she warns – this an anthem for anyone who has felt like their culture has been relegated to public property or a novelty to be appropriated.

The interludes inserted through the album serve as good turning points and excellent perspective insights; from her parents Matthew Knowles and Tina Lawson going in on integration of schools in Alabama and reverse racism, to the iconic Master Pdetailing his own childhood and the formation of the No Limits label, the emphasis on the importance of self-ownership, empowerment and the ability to rise in the face of adversity is stressed in a flawless way.

Kelly RowlandKelelaLil WayneThe DreamBJ The Chicago KidNia Andrewsand Q-Tip feature on A Seat At The Table, highlighting the diverse range of influence Solange has operating in her circle, all weaving together excellently in this tapestry she’s created. There are moments on the album that hark back to her previous work, with songs like “Don’t Wish Me Well” easily being a tune that could have featured on 2012’s True.

What Solange has done with A Seat At The Table is two things that I can tell at this point: she’s created a record that, in an age of surprise releases and visual albums, stands strong in its subtlety and narrative. She’s also produced a collection of music that younger listeners who feel any less than their peers because of their skin colour can take as an album of empowerment, encouragement and celebration.

As she wrote in a blog post detailing her and her family’s experience at a Kraftwerkconcert this year, “We belong. We belong. We belong. We built this.”